在70年代末和80年代初，一群当时是文化部电影部门工作人员的电影制片人发行了一本名为《电影院》的期刊。1989年4月，同一个组织成立了苏丹电影集团（SFG），以赋予他们更多的独立性。该小组的目的是充分参与电影制作、放映和教学的各个方面，并保持苏丹人对电影的热情。但1989年6月30日，政变使人们对各种形式的艺术产生了怀疑，它终止了所有的文化愿望，并禁止了所有的公民社会组织。最后，在2005年，国家的重任有所放松，国家粮食局得以重新注册。 阿森纳——电影和视频艺术学院于2018年数字化修复了这些苏丹电影制作人的七部作品。易卜拉欣·沙达德的毕业电影《贾格帕蒂》（1964年）是一部关于种族主义的专著，他在德国霍克舒尔电影公司拍摄的。这张照片拍摄于勃兰登堡的一片森林中，用西方的风格描绘了对一个黑人的追捕。 During the late seventies and early eighties, a group of filmmakers who were then the staff of the Cinema Section at the Department of Culture issued a periodical named CINEMA. This same group then founded the Sudanese Film Group (SFG) in April 1989 to give them more independence from the state. The purpose of the group was to be fully engaged in all aspects of film production, screening, and teaching, as well as maintaining the passion of the Sudanese for the cinema. But on 30 June 1989 the coup d’état, which brought with it a suspicion of all forms of art, terminated any cultural aspirations and banned all civic society organizations. Finally in 2005 the heavy hand of the state was loosened somewhat, and the SFG was able to re-register. Arsenal – Institute for Film and Video Art digitally restored seven works by these Sudanese filmmakers in 2018. Ibrahim Shaddad’s graduation film Jagdpartie (1964), which he shot at the Deutsche Hochschule für Filmkunst Potsdam-Babelsberg (now: Filmuniversität Babelsberg KONRAD WOLF), is a treatise on racism. Shot in a forest in Brandenburg, it uses a Western look to portray the hunt for a Black man.